harmony sovereign h dating after divorce
Harmony sovereign h dating. Find great deals on eBay for harmony h and sovereign had been inducted into rock roll hall fame, not once, but twice his. Identify Harmony Sovereign General Acoustic Guitar Discussion. My guess is that it's a Harmony Sovereign H If so, that means it's not a U.S.-made Harmony from the original Harmony company, but rather one made. Main · Videos; Harmony sovereign h dating games. As any onto you vests who've been touching the carribean intelligibly may know, i've been in flat fresno .
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Mine is really beat up and has some nasty cracks on the sides, but it sounds just fine. I've played some pretty nice guitars, but you have to go with what you feel. This one feels right for me. Kurt - I have a that has no serial number or headstock logo but has the rectangular bridge of the Airline The neck is perfect; I put in an ivory saddle which seemed to brighten it up a bit.
It sounds wonderful and plays beautifully. The elderly, original owner played the hell out of this thing he said he played it nearly every day for 40 yearsand after listening to it, you can see why. This guitar flat out sings! There is a dry, organic, woody texture to the sound, almost as if you can hear the wood of the guitar singing to you, the kind of sound that only 40 years of constant playing can produce.
The top is well worn, with heavy finger wear on the top by the bridge and on the pickguard, it has minor scars, nicks and scratches in all the right places, the finish has aged to an amber honey color, and it is all astoundingly beautiful. I usually use light. Low and behold, I think I've found Nirvana. Used this way it has an even more woody sound with a slight amount of deep boxiness that is deliciously percussive.
Finger picking is blissful, just sit back in your favorite rocking chair and play yourself to sleep. Whenever I play this guitar, most people comment about how good it sounds, regardless of their age, or playng experience. The only downside to this guitar is that for whatever reason the lower E-string, and only the lower E-string sounds wooly and anemic, which is out of character with all the other strings which are gloriously clear, balanced and proportionate in sound.
It's in near new condition although a neck reset is in its future. The sound is still super. Who'd have thought that that purchase, which at the time was only a way to get a guitar upgrade in my budget, would have turned out so well. I still play it, although I had to get a Seagull for amplified playing. In those days it was said that if you played 20 Soverigns you'd find one that stands out.
Apparently quality control left something to be desired in the Chicago factory. That one stood out among all the otherwise identical copies in town. I think I paid a little over 60 bucks and have never played a Martin I'd trade it for. The neck and body warped back in the early 80's and I had Don Teeter rebuild it for me.
Now it sounds better than it ever did and the action is unbelieveable. Don is a big believer in pin bridges, so he replaced the original bridge with one he carved as only he can do. I also have an almost identical harmony with the 'Fender' label on the headstock and it has a pin bridge from the factory-so I guess Fender demanded a pin bridge too. Along the way I fitted mine with Schaller tuners and replaced the broken pick guard.
There are two features of the Soverigns that I think might contribute to their remarkable sound. One is the ladder bracing under the soundboard.
They are built in some ways more like a classical guitar than the X-braced dreadnaughts they resemble. The other feature is the old-growth sitka spruce they used in the soundboards. The annual rings are small and close together when compared to anything produced recently. I understand that the 'better' manufacturers rejected these boards because they felt they could control the top better with bracing. I have my doubts. In any case, I have no desire for a better all-around folk singer's guitar.
Plays great, nice action, straight neck, etc. This guitar has a pin type bridge instead of the string-through bridge, which I've not seen in photos. Anybody know a little history on this? Personally, I much prefer a pin bridge anyway, so this is definitely not a bad thing!. Gentle Giant - I stumbled across my in a second hand music shop in Birmingham UK in I was in the shop armed with a stack of cash and my eye on something famous.
I only picked up the Harmony because none of the other guitars did it for me. As soon as I sat down with it, I knew it felt right. One chord was enough to quicken my heartbeat, and I was not leaving the shop without it! It sounds best with Ernie Ball Earthwood Extra Lights, and my heart still beats faster every time I put new strings on the ol' girl.
It will sound even fuller and richer. I fingerpick and frail, so the top is now showing signs of wear, but I love my Harmony and if the house were to catch fire it would be the first thing I would rescue as my wife once ruefully remarked.
It always sounded best with Epiphone heavy strings. They lasted 2 weeks and then the tone went.
Harmony sovereign h1260 dating. Harmony H1260 Sovereign 1960s Natural.
It also got very wet, very cold, very hot, very filled with beer, used to hide gear police soon got wise to that one and then kicked downstairs by a drunken but probably discriminating music lover at a Party. The side split and splintered and when the police finally allowed me back in it was that kind of party!
I picked all the tiny broken bits of mahogany off the floor and went home and glued it all together again using cascemite and compressing the top and bottom together. Amazingly it worked, no tone loss.
It's all a bit worn out now and I last played it in the eighties when I went back to electrics. The fret board is worn out as are the frets. I found a new fret board on Ebay, Original Harmony old stock unbelievably, and I will perhaps get a luthier to install it.
In the meantime I am looking for new tuners but I may fit Grovers as I have some around. I will get it all fired up and then judge whether to go ahead and get it refurbished. I am sure it will sound better than the quid guitar I played recently.
I am now removing 42 years of Tobacco crud. I really should have polished it at least once. It is a good indication of just how well built it was. Most of the time I didn't even have a case or even a bag most of the time. Great times, great guitar yes I would have preferred a Martin though its value would have made life far less fun. I destrung it and it kicked about the ouse for all that time until I decided to get a new truss rod.
I found the right type double rod on eBay and started to fit it. I used my wifes good iron to loosen the hide glue bonding the fet board to the neck and removed the old truss rod.
I had to rout out the slot a little to accomodate the new rod and soon had the fret board cleaned up and hide glued it back on. I used a length of dexion angle-iron to keep the neck straight whith four clamps while it set. I left it in the clamps for a while to let it all settle and removed all from the clamps sighting down the neck it seemed pretty straight and so a new set of Adagio 11s were fitted and tightned to near pitch only half a turn on the truss rod and the neck was as straight as the road to the nearest Pub.
Tuned up to pitch and WoW!!!! I struck full cord open Emaj with my thumb and my now favourite guitar sang loud clear and sustained. I checked the intonation and all was good save the low E which was a little flat soon taken care of with a little filing to the saddle until it was near enough. Next move will be to sort out the dull and dusty finnish with some french polish if I can put her down and do without the string on for long enough.
Trebles are crisp and clear Mids are good but with a little vibratto they're great and Oh Boy those Bass tones are just beautiful. Strumming sounds warm and full, Finger picking is clear and precise, Plectrum and flailing just have to be heard to be believed. I played semi-pro from to but only play at home now, I wish I had this guitar when I was gigging! Janeen Herren - I recently acquired a harmony sovereign guitar that is stamped on the inside with H as part of the serial number and was made in the fall of Would anyone know if this be a model?
Fast forward to 5 years ago, and many Gibsons and one Martin later, and there is this from laying on the floor of a basement of this woman who works with my wife. Harmony Sovereign still has hers in a closet darn.
At the time I usually played a refinished Stella string made by Harmony and a Harmony classical. When I was at her place, I didn't bother bringing my own guitars - just a flatpick, thumb and fingerpics.
Harmony sovereign h dating
I had a hollowbody electric until a semi-adopted daughter kept it. My Harmony girls still are special. Oh, yes, I still play, but not Harmonies. Lost my heart to them, though, and the girls who play them.
Well I did that this past spring. I took off the back and cleaned all the excess hide glue from the interior. I reshaped the back braces, then removed all top braces and replaced with a set of Martin unscalloped, radious braces.
I radioused and straightened the fingerboard, refreted and installed a bonenut and saddle. Then I V shaped the neck leaving the with alone. How did it sound, well I just sold my Martin om It is absolutly incredible!
It is perfectly aged as mentioned by others a honey amber tone. It is so punchy and loud. The action is great, the tone out of this world. I couldn't believe that I got it for such an inexpensive price.
Mine has a metal bridge along with the standard bridge. The sellars didn't know why it was there either. I also have a D35 Martin and it stands right along side of it being a ladder brace guitar But I love playing this baby.
My needs a neck reset along with my H I love each and every one of my Harmony's, the understated guitar! Annalee - I have been playing and recording acoustics of all shapes, sizes and brands for over ten years. So much so, that I'm now selling my much more expensive and tonally inferior Martin D Don't know what else to say: Old Folkie - I've had my H for forty years now, and knew the original owner before it came into my hands. I still love playing the old guitar in open D tuning, and for my money it is the best fretboard I have ever put my hands on - a superb sound and a great fingerpicking guitar!
I've since bought a premium Martin, but opted for a body size because I already had the old friend with a great big voice that sounds like 46 years of experience.
It's a real joy switching back and forth, playing both every day - what a stable! It had a bad reglue on the bridge. After visiting this site I decided to have a pro do the job right,it is now the flagship of my collection! I reset the neck, dressed the frets, put on a set of Martin lights and WOW! This thing is loud. Get one if you can - but I'm keeping this one! Only thing is, I can't find a date stamp inside. Osozarco - I bought my H used from a downtown L. I fell heavily back into music a while back, joined a band, and re-discovered the phenomenally big, balanced sound of the Sovereign.
I was going to lower the action for fingerstyle but instead strung it with mediums and put it in open G for slide. Now it gets played more than my '29 National Duolian. The bridge has stayed put but the pickguard is trying to escape and the finish has checked pretty much all over, though it isn't telegraphing any actual wood damage. The neck has stayed very true. If the resale value was a little higher I'd consider a complete re-finish. I had one In the end the neck was warped and the pick guard had fallen off.
The best description would be: In fact, I struggled to get anything but bass from it. I favored metal finger picks with a plastic thumb pick for that reason.
The action was too high, yet I favored the heaviest possible strings. To get good mid-tones, even, I had to fret up the bottom strings. I gave up trying to get good highs. D-modal tuning was utterly stunning on this guitar.
It was my 2nd guitar and I used it for a couple of years until I started playing electric guitar in bands. I did not use the Harmony for about 5 years and when I tried it againI could not get it to sound good or stay in tune so I put it away still strung! I cleaned it up and restrung itand wow it sounded superb. I still use it to this day and recently used it for some live performances on account of it's big volume.
It has never been adjusted or set upit has simply sorted itself out over 40 years. It plays superbly and sounds excellent. It shows several knocks and dings but I cannot criticise the inherent quality of construction of these guitars.
My theory is that if the wood was matured like a Martinthen the period of unplayabiliy would not have happened and that the Harmony has been 'seasoned' as a complete instrument and not as a piece of timber. I had to reset the neck on both but my second one sounds even better than the first. A friend also has one so with my son and me that's three together - the sound is amazing. I'm still looking for another. Had it done and it came out well, action is back where it should be.
Just a super sound. Richard Bell - An ex-girlfriend bought me a Harmony Sovereign Jumbo way back in as a birthday gift. I had earlier picked it out at National Music on st in Edmonton.
The day she arrived I named her Clara and she's been my friend and writing partner for 40 years now. I still have her and she's in pretty good shape after years of touring in the 70s, only a few cracks Over time she has shown up on few recordings and both musicians who've played her and engineers who've recorded her loved the way she sounds.
My son plays her today and uses her to do solo gigs and to write songs. Even today he gets comments from other players about that outstanding Harmony tone. We've talked about having Clara refurbished and getting her few cracks repaired. Perhaps we can keep her making music for another 40 years. I am left-handed so I took off the scratch plate and replaced the nut and have played is successfully upside down for 38 years. It has had one complete overhaul [with neck realignment] and a few splits repaired and I have dug a depression with my plectrum below the strings, due to too rigorous strumming over the years!
The original piezo-electric pick-up I fitted in the 70's still works well without a pre-amp but the guitar still sounds best, acoustic-style. Never wanted another six string. Now, I'd only had a few lessons and maybe knew three cords, but I've taught myself several more and now I'm learning Christmas carols to play with my young children for my parents this week.